Faculty



 

Media Studies

Bryant, Mark
Frick, Caroline
Fuller, Jennifer
Gopalan, Lalitha
Jennings, Steve
Kackman, Michael
Kearney, Mary Celeste
Kumar, Shanti
Mallapragada, Madhavi
McLeland, Susan
Pennycook, Bruce
Ramirez Berg, Charles
Rodriguez, America
Schatz, Tom
Sebok, Bryan
Staiger, Janet
Stein, Laura
Straubhaar, Joe
Strover, Sharon
Tyner, Kathleen
Watkins, S. Craig
Wilkins, Karin
 

Production & Screenwriting

Akel, Mike
Blood, John
Burton, Toddy
Dietz, Steven
Douglas, Sam
Foshko, Robert
Garrison, Andrew
Henry, Kyle
Howard, Don
Jacobs, Matthew
Kelban, Stuart
Kelly, Susan
Knight, Dan
Kocher, Karen
Krukowski, Samantha
Lewis, Anne
Lewis, Richard
Mader, Berndt
Marslett, Geoff
Mims, Steve
Orillion, Kathleen
Panov, Mitko
Parsons, Spencer
Pennycook, Bruce
Pierson, John
Ramirez Berg, Charles
Rice, Scott
Schiesari, Nancy
Shea, Andrew
Smith, Alex
Smith, Ya'Ke
Spiro, Ellen
Stavchansky, Arie
Steinbauer, Ben
Stekler, Paul
Stone, Allucquere Rosanne
Thorne, Beau
Zander Mason, Diane

Janet Staiger

William P. Hobby Centennial Professor of Communication

E-mail: jstaiger@uts.cc.utexas.edu
Office: CMA 6.128
Phone: 512-471-6653
Class: RTF 370
Ph.D., University of Wisconsin-Madison, 1981
Curriculum Vitae - PDF

Author and editor of ten books and 49 essays, her book publications include:

Media Reception Studies ( New York University , 2005)

Authorship and Film co-ed. with David Gerstner (Routledge, 2003)

Perverse Spectators: The Practices of Film Reception ( New York University Press, 2000)

Blockbuster TV: Must-See Sitcoms in the Network Era ( New York University Press, 2000)

Bad Women: Regulating Sexuality in Early American Cinema (University of Minnesota Press, 1995)

The Studio System (ed.) (Rutgers University Press, 1995)

Interpreting Films: Studies in the Historical Reception of American Cinema (Princeton University Press, 1992)

The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, co-author with David Bordwell and Kristin Thompson (Routledge & Kegan Paul/Columbia University Press, 1985)

She has served on various national committees including the National Film Preserv-ation Board and is past president of the Society for Cinema Studies. She also served as Director of Women’s and Gender Studies for the University of Texas at Austin, 2001-04.

As a theoretician and historian of American film and television, she has published on the Hollywood mode of production, the economic history and dynamics of the industry and its technology, poststructural and postfeminist/queer approaches to authorial studies, the historical reception of cinema and television programs, and cultural issues involving gender, sexuality, and race/ethnicity.

Current work includes historiographical practices in media studies, problems in the representation of gender (masculinity and queer studies) and sexu­ality and violence (slasher and sexually explicit films), and theorization of emotions and genres as well as continuing interests in her traditional areas of research.

    

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